Film review: Sensory overload visuals show Christopher Nolan is on top of the game

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Film review: Sensory overload visuals show Christopher Nolan is on top of the game

With Dunkirk Nolan has formally cemented himself because this generation’s Spielberg — not just in skill level and versatility of his filmmaking, but also from the way every new film of his own becomes a worldwide event.

He is currently a master craftsman working at the very top of the game — also Dunkirk is a sensory overload, an insanely intense experience that will leave your head spinning, and also your own body maybe tired from the strong visuals. It’s amazing filmmaking, and another triumph for Nolan series.

The perfect way to describe Dunkirk is it is what you’d get if you place The Thin Red Line, Fury Road along with Titanic collectively in a blender, using a scatter of Nolan’s trademark non linear narrative.

Dunkirk – Christopher Nolan

Those unfamiliar with the titular incident during WW2 need not worry since this is an action movie with all the Dunkirk setting utilized to show that the horrors of war in manners.

The narrative is told through three vantage points — that the beach through the eyes of a young British soldier (Fionn Whitehead), the sea by means of a mariner on a little boat (Mark Rylance) and also the air by means of a fighter pilot (Tom Hardy). All 3 narratives overlap one another leaping timezones as expected from Nolan. The story leaps are implemented it’s a demo of Nolan has mastered this storytelling style of his through all these years.

Audaciously, the bad guys are referred to as ‘The Enemy’ as opposed to ‘Germans’ and are not displayed on the screen — which makes the symbolic message of this movie ubiquitous and timeless.

Hoyte Van Hoytema’s cinematography takes us. A number of these action sequences are immersive that the movie does feel as though we’re with no headset in a VR game.

Every time that the enemy airplanes seem it seems to behold. There’s an awareness of paranoia that is sustained, and also the sound of the clock utilized almost because of this film’s entirety leaves you gasp for breath.

There’s a lot that happens in the movie it is somehow cohesive, and absence of much dialogue functions in favour of the movie. Hardy especially has two lines of dialogue, and the principal character is a witness to the nightmare unfolding around him.

An individual might argue that this is actually the very first time Nolan delivered a movie that didn’t show us that a world we aren’t yet familiar with, but even within the genre that the activity beats are first and eye poppingly successful, despite no graphics of gore or severed limbs like in Saving Private Ryan.

The flying scenes in particular are fascinating as hell — possibly a guilty pleasure considering they are portraying the nadir of humankind. The usage of physical effects to CGI makes matters would be the believable.

The performances are all good, and it’s nice to see the two the ensemble cast of biggies and a lot of newcomers one the verge of getting big. Though Harry Styles’ debut that was hyped feels unnecessary and also a much better actor could have probably made that character more interesting.

One wishes Nolan and Hans Zimmer did not take a bombastic approach to music in every movie of his. When there’s only drawback in Dunkirk it’s the blaring, eardrum shattering, and borderline agonizing background score. You do need BGM that is loud to elevate the impact when the visuals are indeed strong.

Be sure to carry a pair of ear plugs to cushion the impact — and you must — if you’re seeing this movie.

Released Date: Jul 19, 2017 10:41’m | Upgraded Date: Jul 19, 2017 10:41 am