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Han Solo movie set photo: Woody Harrelson is pictured together with younger versions of the characters in graphics.

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The MTV Movie Awards are almost always excellent, and they’ve just gotten much better with the addition of TV! From the killer ‘Beauty and the Beast’ introduction to the hilarious hosting of Adam Devine and the performances, here are the 5 greatest moments of the show!

1.   The out-of-this-world ‘Beauty and the Beast’ opening.

Adam Devine killed it as Beast when enlisting the Support of Josh Gad, Hailee Steinfeld as both Belle and Rebel Wilson as Mrs. Potts. They took a number of the iconic songs from the Disney classic and left them all about films and TV including Spiderman, Logan and That Is Us. Thus epic!

2. Emma Watson’s amazing Greatest Jazz speech.

Emma won the first-ever unisex Greatest Actress award for her portrayal of Belle, and her speech was incredibly touching and powerful, all about education and inclusion and she was to get won. Watch the whole speech, here!

3. The breakdown throughout TV Actor of Millie Bobby Brown triumph.

The moment of the night sobbed throughout her speech that was touching and had to be when Millie won Best Actress in a TV show. It had been really sweet, and we couldn’t be more happy for the old!

4.  Vin Diesel’s  generation award.

What began as an award for Vin rapidly turned to a touching tribute into Paul Walker. Vin revealed that 15 years before, he and Paul won Best Duo together in the show, and he hopes “Pablo” is joyful for them from heaven today. So touching!

5. Enormous Sean’s killer functionality.

Big Sean was the last performance of the night, and it was absolutely epic! He played his new song “Jump Out The Window” while standing on top of a cool picture construction, surrounded by the Northern Lights. So wonderful!

HollywoodLifers, what was your favorite moment of the evening? Let us know!

Stop for a minute and think about everything that a kitchen floor goes through on a daily basis. Not only are people constantly walking across it or standing on it but it also frequently has food dropped on it, resulting in messes that need to be cleaned up using water or cleaning chemicals. Kitchen chairs and rolling carts are constantly moved over the surface of the flooring as people go through the process of cooking and eating throughout the day.

That is why kitchen flooring has to be extremely durable. There are certain types of flooring that are better suited to use in a kitchen than others. Knowing the best options can help you make an informed decision when it comes time to buy flooring for your kitchen.

Amtico.com suggest that one of the best choices for a kitchen is vinyl flooring. Vinyl is not only durable but it also can stand up to just about any type of cleaning product that you want to use on it. Unlike solid wood flooring that can swell or warp when it gets wet, vinyl can easily withstand water, making it ideal for kitchens since spills are common.

If you want the look of solid wood flooring but want something that is a little bit easier to clean, laminate flooring is a good option. This flooring has a protective coating over the top that makes it more durable and easier to clean than floors that are made from solid wood.

Tile floors are also a good option for a kitchen. The only drawback to tile is that the grout lines between the tile can be difficult to clean. However, the surface is extremely durable and can do a great job of handling common kitchen messes, making it a good choice for any kitchen. Just be sure to avoid porous tiles that could stain, opting instead for glazed tiles that are stain-resistant.

By Graham Pierrepoint – THE EMOJI MOVIE IMDb Dir: Tony Leondis Starring TJ Miller, James Corden, Anna Faris, Maya Rudolph, Steven Wright, Jennifer Coolidge, Patrick Stewart, Christina Aguilera, Sofia Vergara, Rachael Ray, Sean Hayes, Jake James Austin, Tati. . • Entertainment • One News Page: Monday

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Parents, would like to know whether the picture is perfect for your kids? Get a mom’s thoughts watch Fandango’s Mother’s Movie Minute.

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Somewhat surprisingly, it’s been a very amazing summer at the movies.It’s sufficient togive those people who worry that the multiplex has ceded some of its ethnic centrality to the HDTV in your living space hope that the movies might once more become the middle of passionate debates and arguments.

A bunch of the summer’s best movies tell the sorts of stories which work when restricted to 120 minutes or less, but might feel pressured or clunky or stretched when they were expanded to occupy an whole season of tv. It’s easy to identify the places where they might have been needlessly blown out to fill a weekend’s worth of streaming.

Nevertheless, it’s the end of Logan Lucky which best illustrates how far more successful this particular story is as a film than it could have been as a TV show — and just how much more successful certain kinds of stories are as movies than they’d function as TV shows.

To explain why, I’m likely to need to spoil every thing.

Logan Lucky, like its characters, smartly gets out while the getting is still good

As you’d expect in a heist film, the team piled off the Coca Cola 600 NASCAR race at a Charlotte, North Carolina succeeds in their task. A giant vault of money empties, heading back to their own West Virginia houses and carting it off. But after the gig is done along with Jimmy Logan (Channing Tatum) shows up just in time to catch his daughter’s functionality at a local beauty pageant, you might realize something: There is still a lot of movie left.

That is when, slightly awkwardly, transforms into analysis mode. By leaving it to authorities to find in the back of a stolen pickup, Jimmy having experienced a moment of chance, returns the money. Hilary Swank joins the film as an FBI agent who investigates the heist, trying to figure out how it happened — and also the way the sole reliable lead about the perpetrators involves a few men who were allegedly in prison while everything went down. (I won’t spoil how Jimmy understands those men out of and back into jail without anyone noticing.)

Swank plays with her representative as a driven woman — and her character is actually the only individual in the film who seems concerned with actually solving this crime. The money’s been returned, right? However, what she understands that others don’t is that the speedway does not really understand just how much money it lost in the vault heist, because its credit card system went down and so as to speed up transactions, it only started getting money without keeping very close path.

Eagle-eyed viewers will surely have accomplished by this stage that the film has perfectly accounted for one pair of cash-filled trash bags, which end up in the back of the pickup, but has lost track of some second pair of garbage bagsthat turn out to have been thrown out and buried in a landfill. Once the FBI falls the situation — and Jimmy understands the shore is clear — he goes and excavates them, and also the team supporting the heist enjoys a celebratory toast that is hard-earned .

Logan Lucky
Jimmy, the heist successfully completed, hangs out with his own daughter.
Bleecker Street

They’re not expecting anyone to wreck their party, certainly not an FBI agent who has been waiting them for all to gather in exactly the exact same place. However, Swank’s agent will not allow there move a closed instance. She thinks she’ll stay a little while, she states, and the film cuts to the credits on a cliffhanger that is gleeful.

Sure, if there is ever a Logan Lucky two, the film will presumably have to fill in the details of Swank’s pursuit of the Logan family and partners. But contemplating Logan Lucky is a film unto itself, and not the planned launch of a franchise, but that this end is a huge bit of fun. Read it yet you need, particularly in light of the film’s notes about class and every bit of the US — public and private — exists to keep in the hands of the ruling class and funneling money from the hands of working people.

Swank’s character signifies the government coming to predict, even if our heroes seem to have gotten away with it. It won’t allow something even though obtained an insurance premiums.

Yet at exactly the exact same time, robbery is still illegal? Shouldn’t it take some level of punishment? That this elaborate, apparently victimless prosecution is that the one the government won’t let go will leave you wondering about if her quarry will be captured by Swank, or when all involved will eliminate it.

Switch Logan Lucky into a TV show, and it would all fall apart

Logan Lucky
Also, you likely wouldn’t get this cast.
Bleecker Street

In and of itself, a heist story could serve well as season-long yarn’s type which drives many of their shows on HBO or Netflix. You can imagine a piece of the puzzle snapping over the of the seasonthe heist unspooling over a few episodes, with the aftermath. As in the film, the rural setting could prove enough of a draw to liven up the heist film that is requisite plot factors. The FBI showing up in city would be the cliffhanger. Come back to season two.

But we could seem to Netflix’s recent crime play to understand how all of the space of some TV series robs a story like that of any momentum. Indeed, Ozark and Logan Lucky have a lot in common, from their rural settings to their own love of the procedure behind committing a crime.

However, Ozark spends a lot of time stretching out a story that very easily could have been collapsed into a two-hour film. The idea is that all of this extra time allows for improved character development, along with the series surely gives its (really great) actors plenty of substance to sink their teeth in to. The challenge is that it mainly results from the series playing the exact same group of storytelling loops out, over and over again. Ozark wants to be about how hard it is to break out of cycles of wrongdoing, but because it ought to stretch out this story to 10 hours, it becomes repetitive. From the time it reaches its cliffhanger, it seems like a show with nothing left to say.

Logan Lucky, in contrast, largely disproves the idea that good character development requires lots of time. It sketches via a small number of gestures or options or pieces of dialogue, economically, in characters fast. It knows that we understand people via their relationships then makes beautiful use of the fact, defining its characters by the people they spend some time with as other things and speak to.

A variant of Logan Lucky who had 10 hours to perform with wouldn’t just lose the inherent ambiguity of its cliffhanger ending (since we’d understand, on some level, that season two would be approximately Swank looking down the members of the heist team, as they all tried to remain one step ahead of her). It would also lose all of its economy, until they started to succumb to the droning sameness in favour of repetitive plot circles which could stunt tighter and tighter around the characters.

It’s telling, then, which Soderbergh’s most prominent job in TV — the two-season medical drama — has been deliberately structured to ensure its primary character was a location. The series could play host even if characters proved more significant than others, by focusing to a New York hospital. Sure, that intended The Knick occasionally followed a “medical instance of the week” structure, but The Knick always understood that TV isn’t one large story, but lots of smaller ones.

So, Logan Lucky isn’t just worth seeing because it shows how much tired film tropes could be spruced up through a change in putting. Additionally, it is worth seeing for a lesson about how a story like this, even if it appears to finish in a way that stands for continuation, is often better as it plays out in two hours and leaves you with something to ponder on the way home. Not every sort of story operates on TV.

Halle Berry has wardrobe malfunction, reveal cleavage at premier of new movie ‘Kidnap’. The celebrity casual and looked comfortably while taking photographs on the carpet, but when she presented with the president and chairman of Aviron Pictures, her panties decided to act on its own accord revealing the celebrity’s lace bra.  

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After falling on stage last weekend during a concert Machine Gun Kelly has been made to postpone three upcoming gigs due to a serious chest injury. The “Bad Things” rapper broke the information  in an article posted on Thursday afternoon (Apr. 27) in which he disclosed that fans  from Fargo, North Dakota (Apr. 28), Clive, Iowa (Apr. 29) and Tulsa, Oklahoma (May 1) would need to wait until May to see him in person.  

“As many people know I sustained a pretty extreme chest injury on a movie series every week,” MGK (born Colson Baker)  composed. “Since then I have seen multiple doctors in attempt to accelerate my recovery process. I had been advised to take 1 month off to  make sure I totally recovered but you know that is not how I stone.”  

Despite his decision to not allow fans, however, the rapper did announce that heClive for May 26,’s rescheduling Fargo to May 25 and Tulsa to be announced.

— Young Gunner (@machinegunkelly) April 27, 2017

A spokesperson for MGK couldn’t be reached for additional comment. The rapper dropped backstage during a show in the Seminole Casino at South Florida on Saturday (Apr. 22) after experiencing severe chest discomfort. A couple of days after he explained that he took several “serious damage to my torso plate/ribs this week” a appearing allusion to a previous tweet in which he said he “got punched in the torso 65 times. Fairly sure I can’t breathe” while on the Chicago collection of this sci-fi action movie Captive State, the Rupert Wyatt (Rise of this Planet of the Apes) film in which he stars alongside Vera Farmiga, John Goodman and Ashton Sanders.  

On Tuesday, he tweeted: “it feels like a f–ing knife is simply stuck at the left side of the torso.” Attempting to turn a negative into a positive, MGK utilized his convalescent time to release a new song from his upcoming record, Bloom, the extreme bad breakup tune “Let You Go.” The rock-tinged tune comprises MGK singing, “Whoa, whoa, she said you will need to le me go/ Whoa, whoa/ she said I’d die for you, you’re like my medication but I can’t get ignored you/ You are not mine anymore.”

— Young Gunner (@machinegunkelly) April 28, 2017

I composed “let you go” on my dark Martin acoustic last year in my bed. Thats me playing guitar. I am so proud of the one.

— Young Gunner (@machinegunkelly) April 28, 2017

— Young Gunner (@machinegunkelly) April 28, 2017

The 13-track Bloom is due out on May 12 and attributes collabos with James Arthur, Hailee Steinfeld, Ty Dolla $ign, Quavo, Dubxx and, Naturally, his hit single with Camila Cabello, “Bad Things.”   The tracklist for Bloom:

“The Gunner”
“Twist + Bake”
“Go for Broke” Feat. James Arthur
“In My Greatest” Feat. Hailee Steinfeld
“Kiss the Sky”
“Golden God”
“Trap Paris” Feat. Quavo and Ty Dolla
“Moonwalkers” Feat. Dubxx
“Can’t Walk”
“Bad Things” (with Camila Cabello)
“Rehab”
“Let You Go”
“27”